UP: Movie Review

After sorting through my blogs (yes, I have tried to blog before, not quite successfully), I managed to unearth one in 2009 about one of my favorite animated movies ever Disney-Pixar’s UP.

UPDisney-Pixar scored yet another hit with its latest offering UP! a 3D animation flick premised on an old man who sets out for an adventure of a lifetime to fulfill a promise to his dead wife.

The trailer was good. It piqued the interest of the viewing public by pitting a overly earnest young adventurer with a grumpy old man named Carl Fredericksen who used thousands of helium balloons to make his house fly to the direction of Paradise City, where his deceased wife Ellie wanted to build their house. The movie was even better.

The seamless animation was a given because after all, it was Pixar movie — a master in the field. But, combined with the heartwarming story produced by Disney, the duo proved to be unstoppable. The movie was fun. It was a feast of ironies and one-liners that were not offensive and tickled the funny bones of audiences of all ages. The story had an emotional depth as well, and delivered a heartrending story of love and friendship in a series of montages to explain the evolution of the relationship with Carl and his wife Ellie, how they met, how they became childhood friends and later married each other to have a long and happy life together- until Ellie got sick and died. This was done accompanied with only the movie’s primary musical score but its effect was major. No dialogue but the impact was amazing. Makes one wonder if it was possible, but it was.

The characters were spot on. Russel, the junior adventurer, who at first, Carl saw as an accidental baggage in his adventure, provided most of the comedy with his antics. His exuberance led them from mishap to mishap, all of the funny kind, but he had his emotional moments as well, when he confided to Carl why he so badly wanted the last badge (assisting the elderly) to become a senior wildlife adventurer. He also talked of his family issues, which most kids could also relate to. The manner in which he delivered the information was done with such innocence and earnest, as if he could not really comprehend the volume of his unhappiness, that it manages to melt even the hardest of hearts. For me, the best part about the story was that it was based on a strong and honest truth. People could relate to the characters, for both the protagonists and antagonists alike.

The movie also did not forget to poke fun at the travails that old people have to go through, such as having to move to homes for the elderly, the aches and pains brought on by arthritis and the like. One of my favorite parts was when Carl was fighting off the villain, Charles Muntz — an obsessed adventurer, who like himself was advancing in age, where they both got struck by back pain just as they were about to attack each other. And what about the flying dentures? Priceless.

The movie achieved the perfect between comedy, drama, and adventure that one will have to wonder how Disney could surpass this hit with its next offerings. I posed the same question when I saw Finding Nemo, and The Incredibles, and Cars… and now this…. Is it even possible? We’ll just have to wait and see, then won’t we?

I am not a Serial Killer (Dan Wells): Book Review

200px-IAmNotASerialKiller

…the truth was far more terrifying; true terror doesn’t come from giant monsters but small innocent-looking people… People like me. — John Cleaver

SYNOPSIS: John Wayne Cleaver is a 15-year old sociopath working as a part time embalmer in his family’s funeral home. Unlike most people his age, he does not feel empathy for other people, but he tries to hide his abnormality from the rest of the world by pretending to be normal and following rules that are intended to steer him off the path of being a serial killer, of which he knows he has a great tendency for. But when a serial killer strikes in his very own hometown, John is forced to unleash the monster inside him to prevent the killer from victimizing more people from his community.

The first thing that got me interested in reading the book was the title. I am not a Serial Killer had an ominous ring to it, and learning that the main protagonist is actually a 15 year old mortician piqued my curiosity even more.

John Wayne Cleaver, who believes he was named after the serial killer John Wayne Gacy (instead of the actor John Wayne), is really a compelling protagonist. Pragmatic and matter of fact, he analyzes his own personality as clinically as he would the serial killers he is so obsessed about. Its true that its a tad creepy for a teenager, especially one as young as John to be fascinated by death the way that he is but part of the book’s charm is how it successfully manages to get readers to empathize with a character who feels no empathy for others.

John is a very smart character and I’m always a sucker for smart characters. Dan Wells created such a strong personality in John that readers hear his voice loud and clear — his loneliness, his dysfunction, his youth in his first person narrative. I liked the fact that he’s always trying to indirectly get the advice of his therapist Dr. Neblin because he acknowledges that there is something deeply wrong with him. He understands himself and his psychosis really well, and I must say, I’ve learned a lot about sociopaths, murderers and serial killers from him better than any TV show or psychology book. He’s like a composite of Dexter and Norman Bates but readers can tell he is still at the beginning stages because he is still able to understand his limits — what he can and can’t do.

The book changed its tone in the middle and veered towards the supernatural, and although John’s serial killer tendencies were still at the forefront of the plot, especially when he was trying to outsmart the actual killer, it seemed weird and off balance at that point. I thought it would have been much cooler for John to have dealt with an actual serial killer rather than a demon so he could test out his mettle against a like-minded enemy.

I felt like the beginning served as a great opening for a thriller for a variety of demographics but in going the mythical path, it seemed to downgrade itself to the kiddie section, to the Hardy Boys/Scooby Doo audience. This is not to say that the book was not well written because it was marvelous from start to finish. It was a really compelling read but I just felt like John Wayne Cleaver could have done better going head to head with a real live killer. It would have given him more room to learn about himself and his potential future.

All in all, I really enjoyed reading I am not a Serial Killer.  It was suspenseful and tense in all the right moments but it never lost touch of its sense of humanity despite its depiction of the monsters inside regular people (not just John). Seeing as the book is only the first one in a trilogy, it successfully opened doors for future plotlines like John falling in love with Brooke (he is after all a teenager). Also, now that his alter ego Mr. Monster is already out, it would be interesting to see how his two personas will wrestle and who will prevail in the end.

Where She Went: Book Review

whereshewentHow can I even manage to describe how much I loved this book? I mean, I liked Gayle Forman’s  If I Stay well enough and even have high hopes about the movie because there’s bound to be a really cool soundtrack but Where She Went is another league entirely and had me hooked from beginning to end.

SYNOPSIS: Three years after Mia and Adam drifted apart, Adam and his band Shooting Stars hit the big time and become legitimate rock stars. Meanwhile, Mia starts to make a name for herself in the classical scene. But fame comes with a price and Adam starts to get tired of his life in the limelight and continues to spiral into depression. When a chance meeting in New York brings the two together, they dredge out old memories and open up old wounds to find closure and peace in order to finally put the ghosts of each other at rest.

Told from the perspective of Adam, the second book employed the same style as its predecessor. It happened in a space of a day and a half, with constant jaunts back to the events immediately after Mia chose to stay. While it would have seemed that the worst was over when she woke up from the accident, things did not turn out quite rosy for the young couple and instead, they found their difficult relationship further complicated by pain and loss.

By speaking in a new voice, this book may have utilized an advantage by having Adam as the narrator because his character was already familiar to the readers of If I Stay. But the second book introduces a whole new Adam Wilde to the readers. Being left by Mia made him bitter and cynical towards music and success only made it worse because his celebrity enabled him to act out in the worst possible way. Knowing the reason behind Adam’s 360 degree turn makes audiences root for him and to a certain point, hate Mia because she caused everything. How could she, right?

But at the same time, they will not help but find it in their hearts to understand Mia’s actions because she had to survive and in doing so, had to make tough choices.

When he and Mia met by luck or coincidence in New York to spend a day reminiscent of Before Sunrise, the ending was already a foregone conclusion. The connection between these two characters was just as strong as it was in the first book and readers will sense that no matter how many cans of worms they open with revisiting the past, they would get past it.

The story was both touching and painful to read because this couple was so young to have gone through all of the things that they did, and for a while, it would seem that letting go would be the better choice for the pain to go away. This was the same dilemma that Mia agonized over in choosing whether to live for the future or die with her family, and this was the same question posed in the sequel – whether or not being together, despite the difficulties, is worth it after all.

I liked that the story spoke of dealing with loss, and how people go through grief in different ways. It touched on anger and guilt, and resolve. It spoke of family and friendship and the possibility of doing the wrong thing even when the intentions are pure, just because people are not perfect. It applauded a person’s resilience and ability to get past heartbreak and become whole again. And these are messages that connects with a lot of readers, myself included. In all essence, it was a more mature look at relationships and the pitfalls it entails, and because it already established a strong backstory in the first book, this gave the book the edge it needed to bring the franchise to a whole new level.

At the end of the day, Where She Went was not just about Mia and Adam’s love story, but rather, it was about moving on and finding peace and choosing happiness over misery — living life not for the past but for the future. And forgiveness, always about forgiveness of oneself and others. It had a sense of vulnerability about it that appeals to readers of all ages. All in all, a wonderful ending to their epic story. A great read, for sure.

The Scorch Trials: Book Review

250px-The_Scorch_Trials_coverSYNOPSIS: After escaping from the Maze, the Gladers are rescued from WICKED by a group of rebels and taken to a “safe” facility. When they wake up however, they realize that their safety was just an illusion when it is revealed that WICKED is not yet done with their experiments. This time, each Glader wakes up marked with cryptic tattoos that supposedly label their roles in the group for their new task. Teresa is taken from their ranks and is replaced by a boy named Aris, who is supposedly part of Group B, who escaped from a maze identical to that of the Gladers with a reverse ratio of boys to girls. Aris shares the same telephatic ability as Thomas and is Group B’s version of Teresa. Now, the Gladers are told that they are infected with a fatal disease called The Flare, which causes madness and death to its victims, and their only hope is reaching a place called safe haven in two week’s time. With meager supplies and dangers straight in their paths, the boys are in a race for survival, unsure of whom to trust, their mettle tested by the most brutal of circumstances.

The Scorch Trials is far different in tone than its predecessor The Maze Runner. Whereas in MR, the Gladers only had to deal with one major problem (escaping the maze and consequently battling the Grievers) in a controlled environment, the second test is far more challenging and dangerous as they set out on a world destroyed by sun flares and ravaged by disease. In the Scorch Trials, WICKED has basically laid out the task in front of the boys and told them that there would be no mercy for them in embarking on their journey as only the strongest will be rewarded with the cure. The Gladers are picked off one by one, by the barren wastelands that has become of Earth, the crazed Cranks (those who have been infected by the Flare) who are no strangers to murder and even cannibalism. Technology is used mercilessly by WICKED against the remaining Gladers resulting in a much brutal slaying of the weakest of the bunch. Not to mention Group B, whose sole mission is to kill Thomas. In short, there were more Variables in play which makes it harder for the boys to accomplish their task.

More questions also arise as Thomas begins to remember snippets of his life before the Glade and his involvement in developing the Trials, but just enough to get readers curious and form their own theories. This is a stroke of genius on the part of author James Dashner because the mystery that surrounds Thomas continues to grow, and at the same time, his feelings for Teresa also begins to evolve. It becomes more complicated as they begin to see the Trials in different ways — Teresa seemingly resigned and unshaken by their role with WICKED, and Thomas beginning to question his actions before the Glade. I like that the book did not dwell too much on the romantic connection between Thomas and Teresa but rather focused on the bigger picture, continuing to build towards the climax that is expected in the final book in the trilogy — The Death Cure. Well, I’m hoping this is what Dashner is going for anyway.

As for the characters, Dashner continues to bank on the strength of the characters he developed in the first book. Newt takes a slight backseat to Minho in this installment but nonetheless showed the same characteristics that made him so likeable in the beginning like his intelligence, practicality and calm demeanor. Minho, who was assigned as leader of the Gladers was a great choice to lead the boys, showing bravery, sense of humor, sometimes hotheadedness, and quick thinking for decisions that need to be made (mostly involving life and death) which is characteristic of his role as Keeper of the Runners. His bromance with Thomas continues in this book and their relationship is one of the strong points of The Scorch Trials because of his fierce loyalty to his friend. As a new character, Aris didn’t pop out as much as he should even given his role in the twist, but there is potential for him in the sequel given his special abilities. Same with Brenda, although she seemed a bit too clingy for my tastes.

All in all, The Scorch Trials was a well written young adult post apocalyptic adventure piece, that for me, felt more like a teaser of the things to come in the trilogy’s concluding chapter. It was a bit darker and more graphic but it definitely leveled up on all aspects of the first book. I would have liked for Group B to have more participation to play up the competition between the sexes (especially since it was mentioned several times that they got out of the Maze three days earlier than the boys and lost less people) but with the combined group of survivors and the upcoming revelation of mysteries behind WICKED, I have high hopes for Dashner’s next book. That and the fact that I want to know if my hypotheses are correct. And this is why I am happy that I waited for all books to come out before I started reading it.

Begin Again: Movie Review

Begin-AgainWhen I first saw the film poster and the trailer, I assumed that Begin Again was going to be a sort of a May December affair between a record producer (Mark Ruffalo) and his protege (Keira Knightley). While I was on the fence about it, I was intrigued not just because  it was a strong lead cast but because it was Adam Levine’s film debut. For some, this would be reason enough to buy a film ticket but when I saw the film’s entirety, I realized the film had so much more to offer than star power. It touches something basic in the audiences and the best part is, it uses music to accomplish this purpose.

Greta (Knightley), a British songwriter, moves to New York when her long time boyfriend and musical partner Dave Kohl (Levine) lands a record deal after successfully doing the score for a blockbuster movie. When Dave dumps her after an extended tour in LA, Greta decides to fly back to England to mend her broken heart. But before she is able to do that, she is discovered by Dan Mulligan (Ruffalo), a down on his luck record producer who has an uncanny vision of music, who offers her a deal straight out. While Greta is initially apprehensive, she bonds with Dan over music and they form an idea to produce a unique record outside of the studio, using the entire city of New York as a backdrop.

I loved Begin Again, from beginning to end, no matter how much some reviewers have bashed Kiera Knightley for being “too thin.” Straight up, how she looks should not be the main focus of criticisms because first and foremost, she is a good actress and she delivered her part of the movie flawlessly. Not once did she stray from her portrayal of a pure artist who never compromises about her artistry and she was charming, abrasive, tough and vulnerable when she needed to be. I never knew that she could sing but she has a really great tone to her voice that sounds really raw but really clean, which is perfect for the role because she was playing an indie singer/songwriter who cared nothing for convention. As for Adam Levine, I saw his acting once in American Horror Story and he was okay but in Begin Again, he has matured a lot and began to show level in his acting. My favorite part was his poignant performance of Lost Stars, where he showed a remarkable range not only in his voice (this dude has a faultless falsetto), but a variety of emotions when he realizes the error of his ways and understands the result of his choices.

However, the star of this show is really Mark Ruffalo, who wore his heart on his sleeve for the entire movie. From his first appearance, audiences will fall in love with his character, no matter how unkempt he looks or how old he appears, compared to his other movies. And its because its obvious behind the flippant remarks that he has been through a lot, lost a lot, but not his love for the purity of music. His portrayal of his vulneraribility is just so amazing that its impossible not to root for his character.

Begin Again also showcases the beauty of New York as a city, away from the glamor and the grind — the side alleys, the skyline, even the streets that are filled with people milling about, going about their business, the steps of the narrow apartments — the film shows that New York, just like any other city is not perfect, yet its a city filled with romance and possibilities. The scenes showcasing Greta and the gang making their records behind the dumpster, on a rooftop, outside of a museum, under a bridge, was a really creative way to connect the city to the music. Mark had a quote after one of the most special scenes in the movie where he and Keira walked around New York listening to music from Greta’s music library, where he said music makes the banalities of normal life become like pearls, and this holds true because when the scene was taking place, everything that was happening all around them seemed to sync with the beat of the sound and it seemed like the beauty of the moment was magnified by meaningful sound.

And speaking of music, music was at the heart of the film and it was awesome to experience. The lyrics were so engaging and so releatable, and just spot on in painting the picture for the story that its hard not to get drawn in by the sound. I loved every song on the soundtrack, and Adam was the perfect guy to sing the theme song. When Usher was praising him in the Voice in saying that he had one of the most unique voices in the industry, that was an absolute truth and you could tell that the acting was only gravy for his part because he was so into the music that it could well be his life story, except for the beard and the douchiness. Its also awesome to know that  writer/director John Carney also wrote some of the songs in the film — Like a Fool performed by Keira Knightley with James Corden, who played her best friend in the film, and some in collaboration with Gregg Alexander and Nick Lashley, who were responsible for most of the songs in the movie.

Kudos to the filmmakers for innovative way of presenting the lead characters’ back stories. How they went back and forth before the moment where Greta played her song on stage, and how it was compared to how Dan was listening to it — it was very creative, and very entertaining to see. It made audiences connect to the song on different levels and it was really cool.

All in all, Begin Again was a great feel good movie, because it was so much more than a love story. Its about a journey — a journey made much more colorful by great melodies and great characters. It was about opening up and learning, and not losing oneself to the lights and the sound. It was about one woman finding a connection with another person and finding a family of sorts in a foreign country. It was about a man disillusioned by his industry and finding fresh inspiration in his life and family. It was a story of friendship and finding joy. It was a story about having the power to choose how to start life anew. It was a charming piece of cinema that tugs at the heart and one can’t leave the theater without a smile on their faces.

Begin Again is distributed in the Philippines by Solar Entertainment and will open in theaters July 9.

Why Nodame Cantabile is my all time favorite Jdorama/Anime

Nodame_Cantabile_1_coverBefore anything else, I would like to put it out there that I am a big Nodame Cantabile fangirl in any of its forms (manga, anime, live action) so if you’re not into these type of things, you might think that this post isn’t your cup of tea. Okay, now that you have been warned, let me continue. :D  If its not your first time in this blog, you may have noticed how I gushed about the finale of the live action and it was pretty much my entire feeling across the board for the series based on the popular manga by Tomoko Ninomiya. Recently, I discovered that the manga was being rerun on Animax, a marathon of four episodes every Sunday night and it got me hooked to the series anew. As the result, I’ve rewatched the live action Finale, the Paris Special, the first series of the anime and now the original 11 episode Jdorama featuring the beginning of Noda Megumi and Shinichi Chiaki’s quirky relationship in Momogaoka Music Academy in Japan.

A short synopsis: Shinichi Chiaki is a top piano student at Momogaoka Music Academy. Growing up in a family of accomplished musicians, he has developed a perfectionist attitude towards music in general and feels bored about the level of education in his school. The problem is, he has no way of pursuing his dream of becoming a world class conductor in Europe because he is afraid of airplanes due to a childhood trauma developed on his return flight from Prague 10 years before. When Chiaki hears a mysterious girl playing Beethoven at school, he is moved and captivated by the sound, despite the fact that the Beethoven version was not precisely according to the score. He finds out that this mystery girl is actually his next door neighbor, the hentai Noda Megumi, who falls in live with him at first sight and becomes a permanent fixture in his life from their first interaction. The second series and the finale both take place in Paris, Prague and London, while the last part of the manga — the Opera Hen marks the duo’s return to Japan to participate in an opera with the RS-Oke with the original gang.

The thing I most love about this series is that firstly, it appeals to the hentai/otaku in all of us. The reason why people are drawn to the lead character Noda Megumi is the fact that she is guileless, an innocent with raw talent, whose simplistic dreams are really short of her true potentials. But at the end of the day, her heart shines through and touches each person that she comes across. First, Chiaki, who fell in love with Nodame’s piano from the first encounter, allowing him to endure her lack of hygiene and her quirkiness — a running storyline throughout the series; Ryutaro Mine, Chiaki’s best friend and conscience, who was drawn to Nodame first because of her kawaii (cute)-ness, then her soulful piano before they eventually became friends; Kasunori Kuroki, who fell in love with Nodame’s kindness and innocence (of course, he later realized he was no match for Chiaki); the Frenchman Frank, who was attracted to Nodame’s hentai personality, and even Lucas, who harbored a crush on Nodame from boyhood to adolescence. Nodame is a character that draws not only fellow characters in the series but also the audience to fall in love with her.

Each of the characters are also bigger than life, relateable and remarkable in their own ways. They endear themselves to the viewers so effectively that each moment spent watching them is like becoming part of their gang.

Another thing about this series is its sense of vulnerability. Each of the characters have their own internal struggle to wrestle with and how they resolve each of their issues is a marvel to watch. Because the characters are so identifiable, viewers want to cheer them on. Nodame’s struggle to catch up with Chiaki, Chiaki’s struggles to start his conducting career, Kuroki’s struggle to adapt in a foreign country, Mine’s struggle to keep the RS Oke together, Rui’s struggle to have a life of her own away from her reputation as prodigy, Franz’s struggle to convey his love for the girl of his dreams, and countless other journeys that each of the characters have to take. They don’t always get it on the first try, but with each other’s help and support, they somehow emerge from their ordeals as different, better characters. My favorite scene in the manga is actually Nodame’s moment in Greece in a storage room alone, crying out for Chiaki while clutching his shirt. It was such a moment of vulnerability that was so moving and so pure that its such a perfect epitome of Nodame’s love for Chiaki.

The steady progression in the storyline is also something that I love about this series. Now that I’m rewatching the series from the beginning, after seeing the finale, I notice how different Nodame’s playing was from the first. It was mentioned countless times in the various stages that Nodame played sloppily at the beginning and it occurred to me how raw her performances were at the beginning, when she was playing Beethoven’s Sonata for Two Pianos and Rachmaninoff to her debut with Stresseman in London. Chiaki’s conducting style also changed from the beginning but continued to be as intense as ever. Their story has also evolved from a master/pet relationship in the beginning, to a denial and gradual capitulation on the part of Chiaki, and his understanding of Nodame as a budding artist, and later on his acceptance of her true feelings for her. This while they struggle to individually make their own way in the music industry on their own and eventually find their paths merging together in the end. I was a bit frustrated about how insensitive Chiaki has mostly been to Nodame but when his point of realization came, and he was even willing to sacrifice allowing Nodame to stop pursuing piano to do as she liked and still stay with her despite that, I was totally won over.

Another thing that got me hooked into this drama was the continuity of the presentation. True, that since the anime had more episodes, it followed the manga more religiously, but all of the versions had the same focus and the same heart as the original material, generally conveying the same idea and the same message, envoking the same feelings and emotions in all of its forms.

Finally, the music. I must say I’ve learned a lot about the classics and the great composers watching this series and it has been an education of sorts. It gave me a better appreciation of the classics and the sheer joy of simply listening to the pieces as the orchestras come together in perfect harmony. The purity of the sound was astounding, relaxing and simply amazing. Compared to songs with lyrics, the classics are so different but has a different appeal. It also gave a peek into the world of music students and the passion involved in mastering their craft. Respect,  is pretty much all I can say.

All in all, this series made me fall in love, with the story, the characters, the music, and the world… Chiaki and Nodame share an unconventional relationship but their journey was so touching. Learning from each other, together and apart. It was a journey all right, and in the end, they came full circle.  But Nodame was not only a story about romance, its a story about friendship, about growing up and reaching one’s potentials. Its about kindness and love and positivity and at the end of the day, these feelings are infectious. And that is why I love it so much.

happythankyoumoreplease: Movie Review

happythankyoumoreplease81wcj-r96pl--aa1500-jpg-187d42dd0fef498aI’ve had the indie film happythankyoumoreplease, on my TBW pile since last year because I didn’t have much time to catch up, but yesterday while browsing through my files, I had a hankering to see How I Met Your Mother’s Ted Mosby (Josh Radnor) in his directorial debut in a movie that he also wrote and starred in, and so I spent my lazy Sunday afternoon getting enthralled in this film, which incidentally won the audience award for favorite US drama in the Sundance Film Festival in 2010.

New Yorker Sam Wexley (Radnor), is a budding novelist who is trying to get published. He writes great short stories but he is informed by the publisher that they can’t use his novel because his hero lacks the qualities to make audiences root for him. Just like Sam, his hero is living his life on the fence. Sam thinks that its because of his lack of pain and suffering while growing up that’s the problem but then, he gets stuck with a little boy named Rasheen (Michael Algieri), whom he meets in the subway one day after the boy gets separated from his foster parent. As the child refuses to leave Sam’s side, he learns more about Rasheen’s hardships and develops an affinity for the boy. Meanwhile, Sam’s best friend Annie (Malin Akerman), an alopecia patient and “cousin” Mary Katherine (Zoe Kazan) deal with their own personal issues and learn to accept their own imperfections and their worthiness to be loved.

Straight off the bat, a story about a man looking for something missing in his life and a boy who has had his fair share of suffering despite his young age is nothing new. A kid idolizing his new friend, just as Rasheen does with Sam is similar to the premise of About a Boy and Big Daddy but the message and its interpretation through happythankyoumoreplease is really sweet and beautiful. Radnor deserves praise not only for directing this piece but also for writing it. The manner in which he crafted the dialogue for the characters, who are all dealing with their flaws is so realistic that they become so identifiable to the audience. Unlike his big screen counterpart Sam, Radnor was able to create characters in different stages of giving and accepting love, nearing the point of realization that all they really need to do is go out and grab the opportunity that life is presenting to them. Its the when and how that makes the film truly interesting because Radnor obviously invested a lot of thought in the process.

Radnor also had great chemistry with his young co star Michael Aligieri and the kid is just so adorable that viewers will immediately fall in love with him even before he even says a word. He just has a sort of vulnerability in his look that makes him relateable from the first moment he appears on the screen.

All in all, happythankyoumoreplease used a very indie approach to the movie (because it is, after all, an independent film) but unlike some indies, it did not set out to be profound and overarching to prove a point. It just set out to deliver a simple message — be happy, thank the universe and ask for more of the positive things. Its a simple formula, much like Eat, Pray, Love, but it makes a lot of sense, doesn’t it? And that is the reason viewers will finish this film with a smile on their faces and a nice feeling in their hearts.